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with the band múm). The halldorophone is found in the instrumentation played by Hildur Guðnadóttir who collaborates with Jóhann on this project. Live music composed and performed by Hildur Guðnadóttir. She has written music for, among others, the Iceland Symphony Orchestra, National Theatre of Iceland, Tate Modern, the British Film Institute, Royal Swedish Opera and Gothenburg National Theatre. An artist who defies classification and disregards traditional generic boundaries, Icelandic cellist, singer and composer Hildur Guðnadóttir has earned a unique place on the contemporary music scene thanks to her virtuosity, versatility and originality. The duration of the FREE part is free. “One of the most important aspects for me in music is curiosity.”, The Berlin-based musician initially started experimenting with sound in her hometown of Hafnarfjordur, Iceland with her musician parents. To the unenlightened eye they appear to be cellos in the making—fragmentary, and incomplete, yet to be encased in their wooden body armor. Composer Hildur Guðnadóttir won Innovative Concert of the Year for Chernobyl and pianist Víkingur Ólafsson won Solo recording instrument (piano) … “It’s the good and bad thing about Iceland. Text: Andie Cusick Photography: Daniel Müller, A tour of some of the German capital’s innovative sustainability initiatives, Conversations on contemporary dining produce food for thought, Leaving her modelling career behind, Michelin-starred chef Dalad Kambhu’s perception of beauty focuses on confidence and sustainability, String Theory: Hildur Guðnadóttir reimagines instruments and lets the robots play. In the opposite corner there’s a conspicuous hole in the wall. 1982) is an Icelandic composer, cellist, and singer at the forefront of experimental pop and contemporary music (e.g. Her long hair is tied up into a loose bun with several pixelated spikes, and her bright eyes glitter above a broad smile and she peers from the screen. Hildur’s wool wing blanket can be found on Vik’s website. Basically, the instrument is the power plant, and the more classical instrument is my singing voice.” Hildur first saw a completed version of Joker at its Venice Film Festival premiere in August 2019. When For the Record connected with Hildur Guðnadóttir at her Berlin home, it was a few months after the Icelandic composer had accepted the Best Original Score Oscar for her soundtrack to Todd Phillips’ anti-hero epic, Joker.. On its own, the Oscar win would be a life-altering event, but for Guðnadóttir, it’s merely the exclamation point for a remarkable awards-season run. “I don’t really tour so much anymore and I backed away from the pop scene,” she says. Hildur Guðnadóttir (b. Joker is a psychological character study of a disturbed man who turns violent. Hildur Guðnadóttir is an Academy Award-, Golden Globe-, Grammy-, BAFTA-, and Emmy-winning Icelandic artist, who has been manifesting herself at the forefront of experimental pop and contemporary music. "It's a feedback instrument," she explains. Guðnadóttir was nominated for the Nordic Council Music Prize as Composer of the Year in 2014 and for the WSA’s 2018 Discovery of the Year Award. She leans into the camera, her features springing into sharp resolution. Born in Reykjavík in 1982, Hildur Guðnadóttir grew up in a musical family and began playing cello at the age of five. This article will explore unique sound worlds that make scores stand out by studying two of the most exciting and distinctive composers of today. Glacier or no glacier.”, With over thirty years of music experience (“I remember a photo of me at like six-months-old blowing a flute so I think I’ve always had instruments around and I started practising the cello when I was around five.”) it begs the question whether growing up in Iceland has anything to do with both her creativity and lack of deviation from that path. “Performing with múm is all about the energy we get from each other, which is such a powerful thing.” Living in Berlin for the most part since 2003, Hildur works as a producer, composer, singer and a cellist. That theme is often performed on an electric cello instrument called the halldorophone, which Guðnadóttir helped develop. But that’s exactly how they should appear. with the band múm). She recently won an Emmy for the HBO miniseries Chernobyl, a score she recorded in an actual decommissioned nuclear power plant, effectively turning the plant into a musical instrument. Concept and editing: Halldór Úlfarsson. I have a son who is four-years-old and it doesn’t go so well to be on tour for weeks on end! This cellist-composer chose a halldorophone to be played on the movie’s soundtrack. Award-winning Icelandic composer, Hildur Guðnadóttir has written new music for the cello – but there’s a twist. She has also performed and recorded with artists including Hauschka, Jóhann Jóhannsson, Nico Muhly, Ryuichi Sakamoto, Valgeir Sigurdsson, Skúli Sverrisson and David Sylvian, whether as vocalist or playing cello or one of the less traditional instruments she has made her own, such as the Halldorophone (a feedback instrument) or the Ómar (a six-string electroacoustic cello/viola da gamba). Cinematography: Sophia Olson. Download sheet music for Hildur Gudnadottir. As a teenager she began playing in a band that would become globally known as múm. The music in the film is the work of Úlfarsson’s long-time friend and colleague Hildur Guðnadóttir. It doesn’t have to be calm, but compared to Iceland where everyone knows each other it’s pretty easy to hide away!” And arguably, since moving to Germany, her sound has also become calmer, quieter and more restrained. In recent times film scores have often relied on textures and unique sound pallets more than the traditional leitmotif of earlier scores. 1982) is an Icelandic cellist and composer. "A lot of the electronic sounds that you hear in the score, it's all performed live, and it's all coming from that instrument and the connection with the amplifiers." It has four strings on top and four on the bottom, a pickup, and a speaker at the back—the resonance of strings, the body and then feedback make such an interesting sound because it’s very much alive, you know?” Designed and built by friends and fellow musicians, each of Hildur’s instruments demonstrate her passion to discover a new acoustic element to what she plays. “It’s super luxurious actually because we’re super close and work together so much and then go out to dinners and stuff—we sort of have our own ecosystem or utopia here!”, “You just want the music to stand on its own. That theme is often performed on an electric cello instrument called the halldorophone, which Guðnadóttir helped develop. This interview took place in her Kreuzberg studio on a sunny January afternoon, surrounded by bespoke instruments that she is working with. “This is a really fun piece because the instruments are completely created from scratch. The microphone cable that runs through to the other side, to her friend and co-worker’s studio—that of fellow Icelander Jóhann Jóhannsson—allows for constant collaboration. Hildur Guðnadóttir (1982) is an Icelandic cello player, composer and singer who has been manifesting herself at the forefront of experimental pop and contemporary music (e.g. Find more information about her work on her website and Facebook. In her solo works she draws out a broad spectrum of sounds from her instrument, ranging from intimate simplicity to huge soundscapes. Guðnadóttir’s composition accompanies Danish-Icelandic artist, Olafur Eliasson’s, Symbiotic Seeing exhibition – originally on display at the Kunsthaus Zurich. She has also set a new record for the highest number of awards ever received in a single season by a female composer. She studied at the Reykjavík Music Academy, then moved on to study composition and new media at the Iceland Academy of the Arts and Berlin’s Universität der Künste. That initial cello recording – it’s actually performed on an electric cello instrument called the halldorophone, which Guðnadóttir helped develop – was played on-set in one key scene, the “Bathroom Dance,” where Arthur Fleck’s fragile psyche finally breaks and he almost literally transforms on-screen into his insane alter-ego. The Icelandic musician and producer looks back on thirty years of music making and ahead to inventive soundscapes. “The cello is the basic interface for the instrument. We use cookies to ensure that we give you the best experience on our website. Her groundbreaking score for the HBO series, She has also made history with her haunting soundtrack for Todd Phillips’ dark psychological thriller. Essentially, the strings play themselves—something many classically trained musicians would be wary of. In her solo works she draws out a broad spectrum of sounds from her instrument, ranging from intimate simplicity to … It’s kind of like putting a message in a bottle and then you throw it out to sea and you have no idea who’s going to hear it or where they’re going to hear it or how it’s going to affect them.” It’s here in her Berlin studio that Hildur composes and records much of her latest music. It’s like a robot string quartet and a robot guitar orchestra,” she explains. A new single, The new work Guðnadóttir creates in partnership with Deutsche Grammophon in the coming years will expand her existing discography of four acclaimed avant-garde solo albums –, Reflecting her multifaceted musicianship, recent live performances include an appearance with US drone metal band Sunn O))) at the 2017 Convergence festival at the Barbican in London; a set as vocalist and cellist at the 2018 Organ Reframed festival at London’s Union Chapel; and the world premiere live performance of. “Pretty much my whole life has been music.” she says. ... Hildur’s primary instrument is the cello. Hildur Guðnadóttir Won Golden Globe Awards: January 5, 2020: Best Original Score: Hildur Guðnadóttir Won Grammy Award: March 14, 2021: Best Score Soundtrack for Visual Media: Hildur Guðnadóttir Won Best Arrangement, Instrumental or A Cappella: Hildur Guðnadóttir (for "Bathroom Dance") Nominated Hollywood Critics Association “It was just absolutely incredible,” she recalled. In her solo works she draws out a broad spectrum of sounds from her instrument, ranging from intimate simplicity to huge soundscapes. In her solo works, she draws out a broad spectrum of sounds from her instrumentation, ranging from intimate simplicity to huge soundscapes. “This wall [Hildur points to the red brick building facing her window] is what I see more than anything else!” she says, laughing. Now based in Berlin, she is currently enjoying unprecedented international recognition for her film and television work, having just become the first female composer ever to win the Academy, Golden Globe and BAFTA awards in the same season. “Jóhann is like my musical brother, we know each other so well we don’t have to explain anything. “Even though I’m not an instrument builder, I’m really interested in how the build effects the acoustics,” she says, picking up one of her reimagined cellos. On this 36 minute album, almost all the music is done by a handful of cellists, with occasional support from other string instruments and percussion. In her solo work she draws out a broad spectrum of sounds from her instrument, ranging from … “It’s very interesting what people associate when they know where you’re from. Hildur Ingveldardóttir Guðnadóttir (born 4 September 1982) is an Icelandic musician and composer. Hildur Guðnadóttir: Bathroom Dance Context. Glacier or no glacier.”. All of a sudden they see all these glaciers and mountains when they hear the music but I’m not sure they would see that if they didn’t know where I was from!”, Hildur’s sound has been described as acoustic meets electro. It’s like a robot string quartet and a robot guitar orchestra,” she explains. Hildur Guðnadóttir (b. The overall piece is as follows: FORM 1 FREE FORM 2. Play this part with sensitivity and breath. About Hildur Guðnadóttir. Thank you, Hildur. In the bathroom scene, Guðnadóttir plays a Halldorophone, an electro-acoustic cello that has, alongside the four traditional strings, a set of resonating strings that are mic’d and fed into a speaker. To have a very quiet and slow pace where I can catch my thoughts more easily.”, “It’s kind of like putting a message in a bottle…you throw it out to sea and you have no idea who’s going to hear it or how it’s going to affect them.”, Hildur’s main instrument is the cello but her current project involves writing a piece of music just for robots. Icelandic composer Hildur Guðnadóttir is on a winning streak – first an Emmy, and now a World Soundtrack Award as Best TV Composer for her work on the critically acclaimed HBO series Chernobyl.She has composed music for theatre, dance and films and has been commissioned for new works by the Icelandic Symphony Orchestra, Icelandic National Theatre, Tate Modern, the British Film … She has also performed and recorded with artists including Hauschka, Jóhann Jóhannsson, Nico Muhly, Ryuichi Sakamoto, Valgeir Sigurdsson, Skúli Sverrisson and David Sylvian, whether as vocalist or playing cello or one of the less traditional instruments she has made her own, such as the Halldorophone (a feedback instrument) or the Ómar (a six-string electroacoustic cello/viola da gamba). “One of the most important aspects for me in music is curiosity and to keep my curiosity alive I have to be on the look-out for something or researching something.” For Hildur, being behind the action, ensconced in her studio energizes the 34-year-old Icelandic artist more than, say, touring the world with a band. Hildur Guðnadóttir’s beaming face emerges from the digital blur. Alongside Director Todd Phillips, Guðnadóttir composed a lot of the music based on her reactions to filmed scenes and script ideas. Icelandic musician Hildur Guðnadóttir was all over the first Sicario movie: She played the cello throughout the Oscar-nominated score written by her longtime collaborator Jóhann Jóhannsson.He died suddenly this winter. “A lot of the electronic sounds that you hear in the score, it’s all performed live, and it’s all coming from that instrument and the connection with the amplifiers.” “Music is all about communication. In 2018, Icelandic composer Hildur Guðnadóttir was announced as the composer for the 2019 thriller, The Joker. But I need the balance also. Hildur Guðnadóttir is sitting cross-legged in front of her piano. Yes, robots. Get a glimpse into the lives of other musicians we have profiled along with our mixtapes here. “It’s a feedback instrument,” she explains. She won Best Original Score at the 2018 Asia Pacific Screen Awards (for. In her solo works she draws out a broad spectrum of sounds from her instrument, ranging from intimate simplicity to huge soundscapes. The music starts with the eerie solo Halldorophone, which resonates and creates feedback, all leading up to an uneasy moment of dissonance. "It's a feedback instrument," she explains. Yes, robots. Hildur Guðnadóttir (1982) is an Icelandic cello player and singer who has been manifesting herself at the forefront of experimental pop and contemporary music (e.g. So there’s not one instrument in the whole score. For Joker, Phillips asked composer Hildur Guðnadóttir to care about Arthur Fleck, the man who becomes the Joker. Jóhann’s original music wins and is nominated for a variety of awards and recognitions including BAFTA and Golden Globe. Behind her, three instruments stand majestically like sculptures. Academy Award winning Hildur Guðnadóttir is an Icelandic composer, cello player, and singer who has been manifesting herself at the forefront of experimental pop and contemporary music. I still do lots of concerts but just one-offs that are more manageable.”, In the far corner of Hildur’s tranquil Kreuzburg studio is a yoga mat and cushion-clad meditation space. Print instantly, or sync to our free PC, web and mobile apps. The stringed instrument can be heard throughout the soundtrack that … Ludwig Göransson and Hildur Guðnadóttir. Hildur Guðnadóttir is an Icelandic cello player, composer and singer creating on the forefront of experimental pop and contemporary music. Choose from Hildur Gudnadottir sheet music for such popular songs as Joker Evolution (Epic Piano Mashup), Bathroom Dance - Cello & Piano, and Bathroom Dance. “This is a really fun piece because the instruments are completely created from scratch. She has released four solo albums, worked on film scores and collaborated with a long list of artists including Skúli Sverrisson, The Knife, Fever Ray and Dustin O’Halloran. That theme is often performed on an electric cello instrument called the halldorophone, which Guðnadóttir helped develop. My dear friend Dustin O’Halloran, he’s also here and we do a lot of stuff together.” Working with Jóhannsson on films including Sicaro and End of Summer, and with Ryuichi Sakamoto on The Revenant, Hildur loves to collaborate with her musical community—many of whom happen to be on the other side of the wall. Hildur Guðnadóttir's haunting theme helped drive Joaquin Phoenix's Oscar-contending "Joker" performance. Hildur’s main instrument is the cello but her current project involves writing a piece of music just for robots. If you continue to use this site we will assume that you are happy with it. With open sides, no fully-formed body or f-holes, it’s the very absence of material that gives Hildur the type of sound she’s striving to hear. The overall sense of tone of your instrument should have a feeling of breath and sensitivity. “Of course where you’re from is always going to affect the music that you make, and of course I understand that people find it completely bizarre that so much music comes from a place of only 300,000 inhabitants but you just want the music to stand on its own. A prolific indie artist, she is known for her numerous live and studio collaborations with Pan Sonic, Throbbing Gristle, múm, Ben Frost, Ilpo Väisänen's Angel, Jóhann Jóhannsson, Animal Collective, Sunn O))), Robert Aiki Aubrey Lowe, Hauschka, the duo of BJ Nilsen & Stilluppsteypa, The Knife, and many others. A lot of amazing stuff comes out of that energy and it’s extremely fun to be there so it gives a lot—it gives much more than it takes, for sure. For Joker, Phillips asked composer Hildur Guðnadóttir to care about Arthur Fleck, the man who becomes the Joker. Each player chooses a place to start on the map, and holds the note, following the curve to the next note/dot. with the band múm). “Berlin is really good for me because it slows me down. She then “molded those sounds into musical clay and made music out of those sounds. She recently won an Emmy for the HBO miniseries Chernobyl, a score she recorded in an actual decommissioned nuclear power plant, effectively turning the plant into a musical instrument. Guðnadóttir’s main instrument is the cello, which is also the main instrument for this score. Hildur Guðnadóttir: One of the instruments that you see there is a feedback cello, it has pickups for every string and … “I envision a sound and it’s always about the quest for how to find it,” she adds. And listen to more of Hildur’s music over here. A classically trained cellist, she has played and recorded with the bands Pan Sonic, Throbbing Gristle, Múm and Stórsveit Nix Noltes, and has toured with Animal Collective and Sunn O))).She has also produced solo works. “I grew up with those guys and we’ve been playing together since I was 15,” she says, enthusiastically. Last October she signed an exclusive contract with Deutsche Grammophon, a move she has described as “incredibly exciting”. She navigates performances in an amplified setting with detachable resonating chambers, which act as portals to an immersive, almost ghostly experience. With those guys and we ’ ve been playing together since I was 15, ” explains... To our FREE PC, web and mobile apps up in a band would... Received in a single season by a female composer for weeks on end and ahead to soundscapes! Took place in her solo works she draws out a broad spectrum of from... S wool wing blanket can be found on Vik ’ s composition accompanies artist. 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