salsa music celia cruz
56–59. Manolín "El Médico de la salsa", an amateur songwriter discovered and named by El Tosco (NG La Banda) at med school, was another superstar of the period. Vinyl version of A Night of Salsa from Celia Cruz Includes the hits Az£car Negra, La Vida Es Un Carnaval, Quimbara, Guantanamera & more Celia Cruz, was a Cuban singer & one of the most popular Latin artists of the 20th century Known internationally as the "Queen of Salsa" or "The Queen of Latin Music" due to her contributions to Latin music in the United States Throughout her career, she was … Cuban exile whose impassioned songs oozed nostalgia for the natural beauty of her homeland, earning her the title "Queen of Salsa." 1996. Throughout its 50 years of life, Los Van Van have always experimented a combination of the Son cubano and the Charanga ensemble. Celia Cruz, Queen of Salsa is a children's picture book written by Veronica Chambers and illustrated by Julie Maren. Cruz rose to fame in Cuba during the 1950s as a singer of guarachas, earning the nickname "La Guarachera de Cuba". [30] The mambo faded away, as new hybrid styles such as boogaloo, the jala-jala and the shing-a-ling had brief but important success. Morales 2003, p. 33. Many timba songs are more related to main-stream salsa than the Cuban music of the previous decade. It's mambo, chachachá, rumba, son ... all the Cuban rhythms under one name. Some have praised it's unification element. Cuban musicologist Mayra Martínez wrote that "the term salsa obscured the Cuban base, the music's history or part of its history in Cuba. The band Los Van Van, leaded by the bassist Juan Formell, started developing songo in the late 1960s. This special case examines the colorful aspects that made up part of Cruz’s illustrious career, including wigs, shoes from her collection, one of her five Grammys, and more. Pacheco put together a team that included percussionist Louie Ramirez, bassist Bobby Valentín and arranger Larry Harlow to form the Fania All-Stars. [69] Many salsa songs contain a nationalist theme, centered around a sense of pride in black Latino identity, and may be in Spanish, English or a mixture of the two called Spanglish. Sep 13, 2017 - La Reina de la Música Salsa. Cuban conguero Daniel Ponce summarized this sentiment: "When the Cubans arrived in New York, they all said 'Yuk! Celia Cruz. Like NG La Banda, Charanga Habanera used several new techniques like gear changes and song-specific tumbaos, but their musical style was drastically different and it kept changing and evolving with each album. Vinyl version of A Night of Salsa from Celia Cruz Includes the hits Az£car Negra, La Vida Es Un Carnaval, Quimbara, Guantanamera & more Celia Cruz, was a Cuban singer & one of the most popular Latin artists of the 20th century Known internationally as the "Queen of Salsa" or "The Queen of Latin Music" due to her contributions to Latin music in the United States Throughout her career, she was awarded numerous … The music was still defined as Latin music. [7], Originally the name salsa was used to label commercially several styles of Latin dance music, but nowadays it is considered a musical style on its own and one of the staples of Latin American culture. Morales noted that: "The interconnection between North American jazz and Afro-Cuban music was taken for granted, and the stage was set for the emergence of mambo music in New York, where music fans were becoming accustomed to innovation. Centro de Investigación de la Música Cubana 1997. Many musicologists find many of the components of salsa music in the Son Montuno of several artists of the 30s and 40s like Arsenio Rodriguez, Conjunto Chappottin (with Felix Chappottin and Lili Martinez) and Roberto Faz. "Structural Analysis or Cultural Analysis? Tito Puente recorded the Irakere composition "Bacalao con pan" (1980), and Rubén Blades covered Los Van Van's "Muevete" (1985). [10][11] In 1952, Arsenio Rodriguez moved for a short period to New York City taking with him his modern son montuno. Comment below!#CeliaCruz #TheMindofMagda #PodcastersofInstagram #PodcastersofFacebook #PodcastersofColor #WomenPodcasters In 1973, Cruz — by this time already a big star in the world of Latin music — surprised her fans by changing direction and moving from traditional Cuban music forms to a new hybrid called salsa. Cruz plunged into the New York music scene, filled with musicians from across the Caribbean and Latin America. Photo by Narcy Studios, Cuba, courtesy of Omer-Pardillo Cid. She appeared on the show and stole the show! In 1973, Cruz, by this time already a big star in the world of Latin music, surprised her fans by changing direction and moving from traditional Cuban music forms to a new hybrid called salsa. See more ideas about celia cruz, celia, salsa music. When the song transitions into the montuno section, the bongo player picks up a large hand held cowbell called the bongo bell. On the other hand, New York saw in the 1970s the first use of the term salsa to commercialize several styles of Latin dance music. [24] In the mid-1990s California-based Bembe Records released CDs by several Cuban bands, as part of their salsa cubana series. [56][57] A few years later the Cuban reggaeton band Gente de Zona and Marc Anthony produced the timba-reggaeton international mega-hit La Gozadera reaching over a billion views in YouTube. When I got a little older, I started listening to her music and found myself entranced by her voice and the melodies and the fullness of the sound. Andy Gonzalez, a bass player who performed with Palmieri and Oquendo recounts: "We were into improvising ... doing that thing Miles Davis was doing—playing themes and just improvising on the themes of songs, and we never stopped playing through the whole set. Because most of the basic musical componentes predates the labeling of salsa, there have been many controversies regarding its origin. Charanga Habanera underwent three distinct style periods in the 90s, represented by the three albums[53] As an extension of salsa's macho stance, manly taunts and challenges (desafio) are also a traditional part of salsa. Performer, Primary Artist. ", Hutchinson 2004, p. 116. The popularity of Puerto Rican típica music peaked in New York City in 1957, more than a decade before the emergence of salsa. In the following decades, she became known internationally as the "Queen of Salsa" or "The Queen of Latin Music" due to her contributions to Latin music in the United States. These modern harmonies are now a staple of salsa arrangers such as Marty Sheller and Oscar Hernández. [32] Popular Boogaloo songs include: Mongo Santamaría's performance of the Herbie Hancock piece "Watermelon Man", Ray Barretto's "El Watusi", and "Bang Bang" by the Joe Cuba Sextet. The 1970s also brought new semi-known Salsa Bands from New York City, Bands like Angel Canales, Andy Harlow, Chino Rodriguez y su Consagracion (Chino Rodriguez was one of the first Chinese Puerto Rican artist that cued the eye of Fania Record's owner Jerry Masucci and later became the Booking Agent for many of the Fania Artists. Venezuelan salsa star Oscar D'León's 1983 tour of Cuba is mentioned prominently by every Cuban I've ever interviewed on the subject. ", Hispanic-influenced music in the Philippines, https://en.wikipedia.org/w/index.php?title=Salsa_music&oldid=1018760688, Articles with unsourced statements from April 2021, Creative Commons Attribution-ShareAlike License, Agawu, Kofi 2006. However, as Gerhard Kubik points out, performers of African popular music do not necessarily perceive these progressions in the same way: "The harmonic cycle of C-F-G-F [I-IV-V-IV] prominent in Congo/Zaire popular music simply cannot be defined as a progression from tonic to subdominant to dominant and back to subdominant (on which it ends) because in the performer's appreciation they are of equal status, and not in any hierarchical order as in Western music."[62]. See more ideas about celia cruz, celia, latin music. The two bands incorporated less superficially jazz elements as well as the contemporary Mozambique (music). Read Full Biography. [15]. Songo incorporated rhythmic elements from folkloric rumba as well as funk and rock to the traditional son. Regalo del Alma is the title of the final studio album recorded by Cuban salsa recording artist Celia Cruz, released posthumously on 29 July 2003, following Cruz's death from brain cancer on July 16, 2003. [37] By the early 1970s, the music's center moved to Manhattan and the Cheetah, where promoter Ralph Mercado introduced many future Puerto Rican salsa stars to an ever-growing and diverse crowd of Latino audiences. In 1971, the Fania All-Stars sold out Yankee Stadium. Another popoular style was chachacha, which originated in the Charanga bands in Cuba. Típica 73, Orquesta Broadway, Orquesta Reve and Orquesta Ritmo Oriental where popular Salsa bands with charanga instrumentation. It is a biographical picture book of Celia Cruz – the Queen of Salsa. Forever Latin Music Legends: Celia Cruz stamp, 2011. 1997. The second of four children, Celia Cruz was born Úrsula Hilaria Celia de la Caridad Cruz Alfonso de la Santísima Trinidad in Havana, Cuba, in 1925. 23 gold albums and seven Grammy Awards attest to her longevity and popularity, and she was active right up until the year before her death in 2003. I was using [the term] salsa, but the music wasn't defined by that. "[51] As Washburne points out however, a lack of clave awareness does not always get a pass: Marc Anthony is a product of George's innovationist approach. Brenda K. Starr, Son By Four, Víctor Manuelle, and the Cuban-American singer Gloria Estefan enjoyed crossover success within the Anglo-American pop market with their Latin-influenced hits, usually sung in English. [27] Several songs of Arsenio's band, like Fuego en el 23, El Divorcio, Hacheros pa un palo, Bruca manigua, No me llores, Alto songo, El reloj de pastora, were later covered by many salsa bands (like Sonora Ponceña and Johnny Pacheco). Some viewed salsa romantica as a rhythmically watered-down version of the genre. Gerard 1989, p. 7. [25] These three drums (bongos, congas and timbales) became the standard percussion instruments in most salsa bands and function in similar ways to a traditional drum ensemble. After receiving the bad press, Anthony refrained from discussing the subject in public, and he did not attempt to play clave on stage until he had received some private lessons. "[19] Willie Colón described salsa not as a precise musical style but a power to unite in the broadest terms: "Salsa was the force that united diverse Latino and other non-Latino racial and ethnic groups ...Salsa is the harmonic sum of all Latin culture ". Consequently, his promoted events were covered in The New York Times, as well as Time and Newsweek magazines. They introduced many of the artists that would later be identified with the salsa movement, including Willie Colon, Celia Cruz, Larry Harlow, Ray Barretto, Héctor Lavoe and Ismael Miranda. Manuel 1990, "salsa is to Latinos as 'soul' is to blacks; salsa—literally, 'hot sauce'", Boggs 1992, p. 192. The Undisputed Queen of Salsa by Celia Cruz (CD, Jul-2014, 2 Discs, Not Now Music) Izzy Sanabria: "In Santo Domingo ... they told me that they don't recognize a Dominican artist as having made it in New York City unless a photograph and something written on this artist appears in, In 1983, Machito won a Grammy Award in the Best Latin Recording category for, Izzy Sanabria 2005. Celia Cruz, who had a successful career in Cuba, was able to transition well into the salsa movement, and eventually became known as the Queen of Salsa. Motivated primarily by economic factors, Fania's push for countries throughout Latin America to embrace salsa did result in an expanded market. Morales' claim is confirmed by Unterberger's and Steward's analysis. Regalo Del Alma. I first learned of Celia Cruz because of an episode of Sesame Street. “La Lupe, La India, and Celia: Toward a Feminist Genealogy of Salsa Music.” In Situating Salsa: Global Markets and Local Meaning in Latin Popular Music, edited by … Born October 21, 1925 (or 1924) in Santos Suarez, Havana, Cuba, Celia Cruz went on to become the undisputed Queen of Salsa before her death on July 16, 2003, in Fort Lee, New Jersey. "[29] He later notes that Mambo helped pave the way for the widespread acceptance of salsa years later. Ironically, although New York's Hispanic population at that time was over two million, there had been no commercial Hispanic FM. ¡Celia Vive! Though the picture is in black and white, here she dons a blue cotton dress during a musical revue. I've always said I want to visit Cuba to see what she was singing about. During this period the term salsa was introduced in New York, and songo was developed in Havana. In 1966 the Palladium closed because it lost its liquor license. Cuban timba musicians and New York salsa musicians have had positive and creative exchanges over the years, but the two genres remained somewhat separated, appealing to different audiences. [6] All of these elements are adapted to fit the basic son montuno template when performed within the context of salsa. Stamp Stories: Celia Cruz. Courtesy Fania Records. Celia Cruz, who had a successful career in Cuba, was able to transition well into the salsa movement, and eventually became known as the Queen of Salsa. Celia Cruz. Overview. Mauleón 1993, p. 215. Some songs, especially English ones originating in the United States, are at times impossible to place in clave. Salsa musician Eddie Palmieri once said "When you talk about our music, you talk about before, or after, Arsenio.....Lili Martinez was my mentor". Dawson helped to broaden New York's salsa audience and introduced new artists such as the bi-lingual Angel Canales who were not given play on the Hispanic AM stations of that time. She was renowned internationally as the "Queen of Salsa" as well as "La Guarachera de Cuba. Rubén Blades' album Siembra was heard everywhere on the island throughout the mid-80s and has been quoted extensively in the guías and coros of everyone from Van Van's Mayito Rivera (who quotes [Blades'] 'Plástico' in his guías on the 1997 classic Llévala a tu vacilón), to El Médico de la Salsa (quoting another major hook from 'Plástico'—'se ven en la cara, se ven en la cara, nunca en el corazón'—in his final masterpiece before leaving Cuba, Diós sabe).[48]. Cuban music has been popular in sub-Saharan Africa since the mid twentieth century. [21], The marketing potential from the name was so big, that eventually both Machito, Puente and even musicians in Cuba embraced the term as a financial necessity.[22][23][24]. The Undisputed Queen of Salsa by Celia Cruz (CD, Jul-2014, 2 Discs, Not Now Music) George also produced the Japanese salsa band Orquesta de la Luz. For example, Mauleón's merengue chart includes clave, which is essential to Cuban popular music, although it is not a component of the traditional Dominican rhythm. The bongos play primarily during the verses and the piano solos. When adapting these non-Cuban rhythms to salsa it is common to alter them in order to fit into the Cuban template. This was captured on film and released as Live In Africa (Salsa Madness in the UK). His show won several awards from the readers of Latin New York magazine, Izzy Sanabria's Salsa Magazine at that time and ran until late 1980 when Viacom changed the format of WRVR to country music. [20] [65], Salsa lyrics often quote from traditional Cuban sones and rumbas. During the same period a parallel modernization of Cuban son was being developed by Los Van Van, Irakere, NG La Banda, Charanga Habanera and other artists in Cuba under the name of songo and timba, styles that at present are also labelled as salsa. Sergio George produced sevveral albums that mixed salsa with contemporary pop styles with Puerto Rican artists like Tito Nieves, La India, and Marc Anthony. She was born to sing. Cuban exile whose impassioned songs oozed nostalgia for the natural beauty of her homeland, earning her the title "Queen of Salsa." [50] More often than not, clave was not a major consideration in the composing or arranging of these hits. The timbales play the bell pattern, the congas play the supportive drum part, and the bongos improvise, simulating a lead drum. Salsa romantica can be traced back to Noches Calientes, a 1984 album by singer José Alberto "El Canario" with producer Louie Ramirez. The only woman in the Fania All Stars, she was one of the few women to succeed in the male-dominated world of … For example, the song "La expresiva" (of NG La Banda) uses typical salsa timba/bongo bell combinations. The Cuban connection began very early and was to last at least twenty years, being gradually absorbed and re-Africanized. Curiously, it was in Cuba where hip hop and salsa first began to meet. [59], Congolese bands started doing Cuban covers and singing the lyrics phonetically. The city of Cali became known as Colombia's "capital of salsa". Celia Cruz said, "salsa is Cuban music with another name. The verse section can be short, or expanded to feature the lead vocalist and/or carefully crafted melodies with clever rhythmic devices. [67] It's not uncommon now to hear the Puerto Rican declamatory exclamation "le-lo-lai" in salsa. We look back at her incredible life story through photos. [63] The Senegalese band Orchestra Baobab plays in a basic salsa style with congas and timbales, but with the addition of Wolof and Mandinka instruments and lyrics. Mar 11, 2020 - Explore Skeeter Wayne's board "Celia Cruz", followed by 292 people on Pinterest. The music and the feelings and arrangements [haven't] changed. Celia Cruz (born as Úrsula Hilaria Celia de la Caridad Cruz Alfonso in La Habana, Cuba on 21 October 1925 – died 16 July 2003) was a Cuban-American and was one of the most successful salsa performers of the 20th century, having earned twenty-three gold albums. During the 1950s, New York became a hot-spot of Mambo with musicians like Perez Prado, Chano Pozo, Mongo Santamaria, Machito and Tito Puente. "[18] The guitar-based music gradually spread out from the Congo, increasingly taking on local sensibilities. Most salsa compositions follow the basic son montuno model based on a clave rhythm and composed of a verse section, followed by a coro-pregón (call-and-response) chorus section known as the montuno. One revealing moment came during a performance in 1994, just after he had launched his salsa career. The Zairean appearance occurred at a music festival held in conjunction with the Muhammad Ali/George Foreman heavyweight title fight. "It is ironic that in a music dominated by Nuyorican and Puerto Rican musicians, the use of the folk music of Puerto Rico has never been very popular. They were known for its virtuous trombone soloists like Barry Rogers (and other "Anglo" jazz musicians who had mastered the style). The style known as Cubaton, that was also popular during this period, was mostly based on reggaeton with only some hints of salsa/timba. Read Full Biography. Latin music promoter Izzy Sanabria claims he was the first to use the word salsa to denote a music genre. The music analyst Kevin Moore stated: "The harmonies, never before heard in Cuban music, were clearly borrowed from North American pop [and] shattered the formulaic limitations on harmony to which Cuban popular music had faithfully adhered for so long. The musicologist Max Salazar believes the origin of the connection lies in 1930 when Ignacio Piñeiro composed the song Echale salsita (put some sauce in it). The foremost issue in my mind is marketability. She got her major break after joining La Sonora Matancera in 1950, the group she stayed with until 1965. "[18] Similarly, Tito Puente stated: "The only salsa I know is sold in a bottle called ketchup. As influential as Manolín was from a strictly musical point of view, his charisma, popularity and unprecedented earning power had an even more seismic impact, causing a level of excitement among musicians that had not been seen since the 1950s. Celia Cruz, in full Úrsula Hilaria Celia Caridad Cruz Alfonso, (born October 21, 1925, Havana, Cuba—died July 16, 2003, Fort Lee, New Jersey, U.S.), Cuban American singer who reigned for decades as the “Queen of Salsa Music,” electrifying audiences with her wide-ranging soulful voice and rhythmically compelling style. Oscar Hernández and more complex than tumbaos typically heard in NY salsa. 1960s, the congas play the pattern! Hop and salsa. including Luis Bu and Chaka Nápoles a young Giovanni Hidalgo ) Zaperoko! Picks up a large hand held cowbell called the bongo bell where popular salsa bands with Charanga instrumentation rock the... Música salsa. time and Newsweek magazines were inspired by the bassist Juan Formell, started developing in! 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