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This series focuses on films made between 1930 and 1934 and highlights how openly suggestive some of these films were and how blissfully defiant they were of the Code authority (that defiance, however, would bring on more forceful self-censorship that would last well into the 1960s). Dec 20, 2012 - Screencaps from "Gold Diggers of 1933," a MGM movie from...1933. As with many other musical films, the song and dance sequences are the strongest element of. We get musical numbers like “Pettin’ in the Park” that features a heavy dose of eroticism thanks to some near-nudity, naughty lyrics, and a very, very curious and nearly voyeuristic “baby” causing mayhem in the titular park. The Warner Bros. musical about sassy showgirls and their in-the-money beaus has become iconic, thanks in part to lampoons in Preston Sturges’ SULLIVAN’S TRAVELS (where … The famous opening song from the film Gold Diggers of 1933, performed by Ginger Rogers. After hearing their neighbor Brad Roberts (Dick Powell) playing the piano and finding out his talents as a singer-songwriter, he is recruited for the hypothetical show. Warren William, Actor: Employees' Entrance. According to "Sin in Soft Focus: Pre-Code Hollywood" by Mark A. Vieira (Harry N. Abrams, 1999), this was one of the first American films made and distributed with alternate footage in order to circumvent censorship problems. In films such as 42nd Street and Gold Diggers of 1933 (1933), Berkeley choreographed a … Brad eventually comes up with the money for the play, leading the Gold Diggers and Barney to suspecting him of criminal activity. Home » CINEMA, DIGITAL GYM BLOG, EVENTS, EVENTS, MEDIA ARTS CENTER BLOG » Breaking Commandments: Pre-Code Hollywood – Gold Diggers of 1933 (1933) (August 11). Gold Diggers of 1933 has a title that dates it in the most literal manner possible in that it literally dates the movie as a product of 1933.. For a movie whose title doubles as shorthand for a movie that isn’t just old but ancient, a super duper mega old timey relic of our distant cultural past, Gold Diggers of 1933 has a shockingly modern sensibility. Gold Diggers of 1933 combines my favorite genre with elements of Pre-Code Hollywood into one impossible to hate package. Its musical numbers are brilliant choreographed and staged by the master Busby Berkeley, turning. Warren William, the stalwart leading man of pre-Production Code talkies, was born Warren William Krech on December 2, 1894 in Aitkin, Minnesota, the son of a newspaper publisher. “We’re in the Money” is garish and showy, “Pettin’ in the Park” is playful, silly, and titillating, “The Shadow Waltz” stands out from the crowd by being rather beautiful and understated, not quite matching the rest of the film’s tone, and “Remember My Forgotten Man” features a hint of German expressionism and says a great deal about living in poverty during the depression. ( Log Out /  Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. Another was when a male stagehand pats one of the chorus girls on the rear end a few times. Gold Diggers of 1933 is not only the finest of the Busby Berkely musicals, not only the pinnacle of Warner Brothers' pre-code licentiousness, it is the very heart of depression-era America. In truth, Brad is the son in a millionaire family that despises the theater. , this simply isn’t the case. Much of the screwball elements introduced during the film’s second half are genuinely hilarious, even more than 80 years later – Trixie’s faux seduction of “Fanny” Peabody (Guy Kibbee) is my personal favorite part, but there’s just so much to love about it as a whole. Change ), You are commenting using your Google account. Ned Sparks asks us, as Dick Powell hammers out a … "Gold Diggers of 1933" Warner Bros. - 1933 - Musical - Pre-Code Starring: Dick Powell Ruby Keeler Joan Blondell Aline MacMahon Ginger Rogers I… 'Gold Diggers of 1933', as a "pre-code" movie, included some risqué scenes, such as the chorus girls getting changed, precisely because they increased ticket sales. Aline MacMahon’s Trixie is purposely naughty in her “seduction” of Fanny, providing some of the film’s more laugh out loud moments. The "gold diggers" are four aspiring actresses: Polly, Carol, Trixie, and Fay. Next is Joan Blondell, someone who’s Pre-Code content, especially in films like The Gold Diggers of 1933 and Havana Widows, reveal her to be that kind of woman you don’t see anymore: smart, sexy, self confident, in it for herself, and thoroughly unashamed of any of that. GOLD DIGGERS OF 1933 presented on special 16MM print. In truth, Brad is the son in a millionaire family that despises the theater. “The Gold Diggers of 1933,” choreographed by Busby Berkeley, is a little bit of both. novels. sees four aspiring stage actresses Polly (Ruby Keeler), Carol (Joan Blondell), Trixie (Aline MacMahon), and Fay (Ginger Rogers) struggling to find work during the depression. “The movie thrives and survives on Berkeley’s genius; for all his spectacular theatrical flair, he’s a sociobiologist in rhythm.” – The New Yorker. With four credited writers (two for dialogue, two for the screenplay) it could have been disastrous for the film – one of the major problems with modern films is having too many cooks in the kitchen. Change ), You are commenting using your Twitter account. See more » A few of other pre code gems would be "The Little Giant" (1933), "Love Me Tonight" (1932), This Is The Night" (1932), "Trouble In Paradise" (1932), 'Women They Talk About" (1933), "Skyscraper Souls" (1932), "Beauty And The Boss" (1932). Breaking Commandments: Pre-Code Hollywood – Gold Diggers of 1933 (1933) (August 11) In GOLD DIGGERS OF 1933, things get tough for Carol (Joan Blondell) and her showgirl pals (Ruby Keeler, Aline MacMahon) when the Great Depression kicks in and all the Broadway shows close down. Anybody who has read Sgt. Pre-Code Films could be exploitative and lurid or sophisticated and adult. Joan Blondell’s Carol is passionate and seductive, making quick work of Warren Williams’ Lawrence. This is a pre-code backstage musical includes numbers choreagraphed by Busby Berkeley. Gold Diggers of 1933 is one of the most triumphant films of the Pre-Code Hollywood era, genuinely pushing the envelope of accepted movie morality, and providing a funny and insightful commentary on depression-era America. Even a doctor who thought he was God. Gold Diggers of 1933 sees four aspiring stage actresses Polly (Ruby Keeler), Carol (Joan Blondell), Trixie (Aline MacMahon), and Fay (Ginger Rogers) struggling to find work during the depression. Luckily for Gold Diggers of 1933, this simply isn’t the case. Gold Diggers of 1933 (1933) Trivia. ( Log Out /  The film ends with “Remember My Forgotten Man”, a rather dark commentary about the depression, war veterans, and the ultimately false promise of change – what a powerful statement for such a silly, energetic musical. endless musings... Imprimez et transformez vos contenus digitaux, blogs et réseaux sociaux, en magnifiques livres papier sur blookup.com, This Blog is about discovering the magic of forests in every aspect of life from a small plant in a metropolis to the forests themselves, : Edwin S. Gelsey, James Seymour, Ben Markson (dialogue), David Boehm (dialogue) (based on, : Warren William, Joan Blondell, Aline MacMahon, Ruby Keeler, Dick Powell, Ginger Rogers, Ned Sparks, Guy Kibbee. We get musical numbers like “Pettin’ in the Park” that features a heavy dose of eroticism thanks to some near-nudity, naughty lyrics, and a very, very curious and nearly voyeuristic “baby” causing mayhem in the titular park. Things become severely complicated when Brad’s brother Lawrence (Warren William) shows up to stop Brad from falling in love with a “gold digger”. Indeed, for an actress like Ginger Rogers, “a glimpse of stocking” was really, nothing shocking … have all the charm and wit of classic musical films of the era, but it also becomes something of a madcap screwball comedy in its second half – we are treated to mistaken identities, overly complicated plots to seduce and distract certain parties, and more banter than you can shake a stick at. Change ), Dolphins, Whales, Oceans, Photography & Life - Be inspired to be a Voice for the Blue, A Hotelier By Trade and A Traveler At Heart, music,film,fashion,art,poetry all that life brings. It was a period often referred to as “pre-code” Hollywood. Written by: Edwin S. Gelsey, James Seymour, Ben Markson (dialogue), David Boehm (dialogue) (based on The Gold Diggers by Avery Hopwood) Starring Ruby Keeler, Dick Powell, Joan Blondell and Ginger Rogers and features Warren William, Guy Kibbee, Ned Sparks and Aline MacMahon. Gold Diggers of 1933 1933, 96 min. This is a pre-code backstage musical includes numbers choreagraphed by Busby Berkeley. The writing for both musical and spoken portions of the film are equally strong, with both complimenting each other quite nicely. "Can't you hear that wailing?" The writing for both musical and spoken portions of the film are equally strong, with both complimenting each other quite nicely. is the direction of musical sequences by the famous choreographer Busby Berkeley. After organising military parades as an army officer in the First World War, he made his name as the creator of some of the most astonishing set pieces in cinema with an unrivalled trio of 1933 pre-Code musicals; The Gold Diggers of 1933, Footlight Parade and 42nd Bacon Street, Berkeley managed to turn the chorus line into an art form. Ruby Keeler and Dick Powell are believable as the film’s central romance, as the two have immediate chemistry in both their musical and non-musical scenes. Tickets available at box office or online. Gold Diggers of 1933 (dir. Anybody who has read Sgt. We open with a rendition of the now famous song “We’re in the Money”, which sets an ironic tone for the depression-era set movie to come, especially when the show is immediately shut down due to lack of funding. $11 General Admission / $8.50 Students & Seniors / $7.50 Members. As with many other musical films, the song and dance sequences are the strongest element of Gold Diggers, which is saying a great deal because of its zany underlying story. Movies & Showtimes for Pre-Code Hollywood Matinee Series. ITEM: This is a vintage and original Warner Bros. production still photograph featuring one of the many risqué and beautiful chorus girls from the 1933 pre-Code musical, Gold Diggers of 1933.Renee Whitney wears a daring, abbreviated one-shouldered costume that is … Sun, Jan 1st Pre-Code Hollywood #14 – Gold Diggers of 1933 (1933) May 27, 2017; Pre-Code Hollywood #13 – The Bitter Tea of General Yen (1933) May 22, 2017; Pre-Code Hollywood #12 – Baby Face (1933) May 15, 2017; Pre-Code Hollywood #11 – The Sign of the Cross (1932) May 8, 2017; Pre-Code Hollywood #10 – Scarface (1932) April 28, 2017 Each musical sequence feels completely separate from the last, with all of them bringing striking visuals and seamless choreography that never overstays its welcome. Gold Diggers of 1933 is a 1933 pre-Code Warner Bros. musical film directed by Mervyn LeRoy with songs by Harry Warren and Al Dubin, staged and choreographed by Busby Berkeley.It starred Joan Blondell, Ruby Keeler, Dick Powell, Ginger Rogers, and Billy Barty in his first role (as a horny man-baby.). “We’re in the Money” is garish and showy, “Pettin’ in the Park” is playful, silly, and titillating, “The Shadow Waltz” stands out from the crowd by being rather beautiful and understated, not quite matching the rest of the film’s tone, and “Remember My Forgotten Man” features a hint of German expressionism and says a great deal about living in poverty during the depression. Not only does. Luckily for. Also worth noting is Ginger Rogers’ early performance as Fay, who tries to seduce one of the three wealthy men, but ultimately fails. on Buñuel in the Labyrinth of the Turtles (August 30 – September 12), on Visions of Science Fiction: A Boy and His Dog (August 12), on Noir on the Blvd: THE LONG GOODBYE (March 12), Breaking Commandments: Pre-Code Hollywood – Gold Diggers of 1933 (1933) (August 11). ( Log Out /  Wealthy songwriter Brad (Dick Powell) saves the day by funding a new Depression-themed musical for the girls … Presented by the Film Geeks San Diego. Director Mervyn LeRoy’s (I Am a Fugitive from a Chain Gang) visionary talent behind the camera, Busby Berkeley’s energetic musical sequences, and a hilarious story set during America’s depression makes for one of the most memorable Pre-Code films of the era. Mervyn LeRoy) is just as gaudy, just as representative of the dirty ’30s, as its title promises. Pepper’s Lonely Hearts Film Club for any amount of time probably already knows that I have a weakness towards musical films. where the performances finally begin to stand out as something special – chemistry between actors is obvious, characters are developed, and our four main “gold diggers” are finally allowed to show us what they’ve got to offer. Sat, Dec 31st Gold Diggers of 1933. Things become severely complicated when Brad’s brother Lawrence (Warren William) shows up to stop Brad from falling in love with a “gold digger”. Gold Diggers of 1933 is a pre-code musical film directed by Mervyn LeRoy with songs by Harry Warren (music) and Al Dubin (lyrics), staged and choreographed by Busby Berkeley. It stars Warren William, Joan Blondell, Aline MacMahon, Ruby Keeler and Dick Powell, … Director Mervyn LeRoy’s (. ) The film ends with “Remember My Forgotten Man”, a rather dark commentary about the depression, war veterans, and the ultimately false promise of change – what a powerful statement for such a silly, energetic musical. The real star of the show in Gold Diggers of 1933 is the direction of musical sequences by the famous choreographer Busby Berkeley. Mervyn LeRoy • Starring: Joan Blondell , Ginger Rogers , Aline MacMahon Comedy • Comedy of Errors • Musical Joan Blondell’s Carol is passionate and seductive, making quick work of Warren Williams’ Lawrence. Brad eventually comes up with the money for the play, leading the Gold Diggers and Barney to suspecting him of criminal activity. Pre-Code Hollywood #15 – Of Human Bondage (1934), Pre-Code Hollywood #14 – Gold Diggers of 1933 (1933), Follow Sgt. Pre-Code Hollywood refers to an era in motion pictures from the arrival of sound in the late 1920s to the mandatory enforcement of the Motion Picture Production Code in July 1934. Wealthy songwriter Brad (Dick Powell) saves the day by funding a new Depression-themed musical for the girls to star in, but when his stuffy high-society brother finds out and threatens to disown Brad, Carol and her gold-digging friends scheme to keep the show going, hooking a couple of millionaires along the way. After hearing their neighbor Brad Roberts (Dick Powell) playing the piano and finding out his talents as a singer-songwriter, he is recruited for the hypothetical show. 11:30AM BUY TICKETS. The screenplay is hilarious and often risque, tackling the American depression head-on. Also worth noting is Ginger Rogers’ early performance as Fay, who tries to seduce one of the three wealthy men, but ultimately fails. May 11, 2013 - Screencaps from "Gold Diggers of 1933," a MGM movie from...1933. scottman1932. ( Log Out /  With solid performances across the board, inventive direction from two of the most consistent filmmakers of the era, and a screenplay that will put a permanent smile on your face, there’s a lot here to love. Join in as we discuss our favorite Berkeley parodies, the Gold Diggers franchise, connections to 42nd Street, the Blazing Saddles TV show, and the making of a movie about the Great Depression while the United States was still in its throes. Each piece is miraculous, and defines pre-code Hollywood as a spectacle of skin and melancholy, of dazzlement and embracing the inevitable. Each musical sequence feels completely separate from the last, with all of them bringing striking visuals and seamless choreography that never overstays its welcome. Ginger Rogers and “a glimpse of stocking” in Rafter Romance (1933) During “pre-code” Hollywood, a good motto for filmmakers could have been “ Anything Goes ” — a Cole Porter song of the period. Gold Diggers of 1933 easily gets my highest recommendation. Producer Barney Hopkins (Ned Sparks) is desperate to put on a show with the girls, but is struggling to find any source of funding. Even if you don’t like old movies you’ve probably heard of GOLD DIGGERS OF 1933. Producer Barney Hopkins (Ned Sparks) is desperate to put on a show with the girls, but is struggling to find any source of funding. 250 Film Challenge: Gold Diggers of 1933 (Pre-Code 1/50) Let’s stick to the golden theme for another day, shall we? Joan Blondell "Gold Diggers of 1933" The pre-Code era — the period between 1929 and 1934, when American films were not subject to censorship — has gone into history for its sexually risqué films and for its politically daring films. Pepper’s Lonely Hearts Film Club for any amount of time probably already knows that I have a weakness towards musical films. Gold Diggers of 1933 We're back in the pre-code era this week for a look at Mervyn LeRoy and Busby Berkeley's hit musical Gold Diggers of 1933. Starring: Warren William, Joan Blondell, Aline MacMahon, Ruby Keeler, Dick Powell, Ginger Rogers, Ned Sparks, Guy Kibbee. In GOLD DIGGERS OF 1933, things get tough for Carol (Joan Blondell) and her showgirl pals (Ruby Keeler, Aline MacMahon) when the Great Depression kicks in and all the Broadway shows close down. Gold Diggers of 1933 (1933) Pepper's Lonely Hearts Film Club on WordPress.com, Pre-Code Hollywood #13 – The Bitter Tea of General Yen (1933), Pre-Code Hollywood #12 – Baby Face (1933), Pre-Code Hollywood #11 – The Sign of the Cross (1932), Pre-Code Hollywood #9 – Red-Headed Woman (1932), Pre-Code Hollywood #8 – The Most Dangerous Game (1932), Pre-Code Hollywood #7 – I Am a Fugitive from a Chain Gang (1932), Pre-Code Hollywood #6 – Blonde Venus (1932), Pre-Code Hollywood #5 – The Public Enemy (1931), Pre-Code Hollywood #4 – Night Nurse (1931). combines my favorite genre with elements of Pre-Code Hollywood into one impossible to hate package. There were a few scenes that indicate this was a pre-Code film. We open with a rendition of the now famous song “We’re in the Money”, which sets an ironic tone for the depression-era set movie to come, especially when the show is immediately shut down due to lack of funding. It’s in the second half of Gold Diggers of 1933 where the performances finally begin to stand out as something special – chemistry between actors is obvious, characters are developed, and our four main “gold diggers” are finally allowed to show us what they’ve got to offer. poetry. With four credited writers (two for dialogue, two for the screenplay) it could have been disastrous for the film – one of the major problems with modern films is having too many cooks in the kitchen. Aline MacMahon’s Trixie is purposely naughty in her “seduction” of Fanny, providing some of the film’s more laugh out loud moments. is one of the most triumphant films of the Pre-Code Hollywood era, genuinely pushing the envelope of accepted movie morality, and providing a funny and insightful commentary on depression-era America. Starring Ruby Keeler, Dick Powell, Joan Blondell and Ginger Rogers and features Warren William, Guy Kibbee, Ned Sparks and Aline MacMahon. Visions of Science Fiction: A Boy and His Dog (August 12), Noir on the Blvd: THE LONG GOODBYE (March 12), Last Chance Indies: Framing John DeLorean (July 19 – July 25), Horrible Imaginings Presents: Darlin’ (July 26 – August 1), DGC@Home: Małni – Towards the Ocean, Towards the Shore (Begins April 16), DGC@Home: This is Not a Burial, It’s a Resurrection (Begins April 16). Selected Essays and Squibs by Joseph Suglia. His direction elevates the film from being another depression-set comedy film to being a memorable, erotic, energetic, and visually unique masterpiece of the musical genre. screenplays. All films presented on 35MM. Among them was Trixie's veiled reference to marijuana when she quipped "What does he use, I'll smoke it too". Few other musical films boast such a diverse set of musical numbers, and even fewer can live up to the brilliance of the mad “Pettin’ the the Park”. Much of the screwball elements introduced during the film’s second half are genuinely hilarious, even more than 80 years later – Trixie’s faux seduction of “Fanny” Peabody (Guy Kibbee) is my personal favorite part, but there’s just so much to love about it as a whole. His direction elevates the film from being another depression-set comedy film to being a memorable, erotic, energetic, and visually unique masterpiece of the musical genre. Create a free website or blog at WordPress.com. Key sub-plot revolves around a young songwriter who, after giving 15,000 dollars to a struggling theatre company, is accused of robbing a bank. Pre-Code Hollywood refers to an era in motion pictures from the arrival of sound in the late 1920s to the mandatory enforcement of the Motion Picture Production Code in July 1934. From the very opening moments of Gold Diggers of 1933, I knew that the film was going to be an absolute treat. (Off 805 Freeway on corner of 30th Street and El Cajon Blvd), August 29, 2019, Comments Off on Buñuel in the Labyrinth of the Turtles (August 30 – September 12), August 22, 2019, Comments Off on Rojo (August 23 – August 29), August 1, 2019, Comments Off on Visions of Science Fiction: A Boy and His Dog (August 12), March 7, 2018, Comments Off on Noir on the Blvd: THE LONG GOODBYE (March 12), « Previous Last Chance Indies: Framing John DeLorean (July 19 – July 25) Horrible Imaginings Presents: Darlin’ (July 26 – August 1) Next ». Its musical numbers are brilliant choreographed and staged by the master Busby Berkeley, turning Gold Diggers into one of the most visually striking musicals ever produced in Hollywood. Not only does Gold Diggers have all the charm and wit of classic musical films of the era, but it also becomes something of a madcap screwball comedy in its second half – we are treated to mistaken identities, overly complicated plots to seduce and distract certain parties, and more banter than you can shake a stick at. The film has Hugh Herbertas the theatrical production company’s censor, and the movie takes great glee in mocking his inanity. This series focuses on films made between 1930 and 1934 and highlights how openly suggestive some of these films were and how blissfully defiant they were of the Code authority (that defiance, however, would bring on more forceful self-censorship that would last well into the 1960s). Few other musical films boast such a diverse set of musical numbers, and even fewer can live up to the brilliance of the mad “Pettin’ the the Park”. With solid performances across the board, inventive direction from two of the most consistent filmmakers of the era, and a screenplay that will put a permanent smile on your face, there’s a lot here to love. The Hays Code, which set moral guidelines for movie studios, was instituted in 1930 but not strictly enforced until the middle of 1934. visionary talent behind the camera, Busby Berkeley’s energetic musical sequences, and a hilarious story set during America’s depression makes for one of the most memorable Pre-Code films of the era. Ruby Keeler and Dick Powell are believable as the film’s central romance, as the two have immediate chemistry in both their musical and non-musical scenes. Filed under Classic Musicals, Pre-Code Hollywood, Reviews, Tagged as Aline MacMahon, Avery Hopwood, Ben Markson, Busby Berkeley, Classic Musicals, David Boehm, Dick Powell, Edwin S. Gelsey, Ginger Rogers, Gold Diggers of 1933, Guy Kibbee, I Am a Fugitive from a Chain Gang, James Seymour, Joan Blondell, Mervyn LeRoy, Musical, Ned Sparks, Pettin' in the Park, Pre-Code, Pre-Code Hollywood, Remember My Forgotten Man, Ruby Keeler, The Gold Diggers, The Shadow Waltz, Warren William, We're in the Money. Directed by: Mervyn LeRoy, Busby Berkeley , I knew that the film was going to be an absolute treat. , which is saying a great deal because of its zany underlying story. Change ), You are commenting using your Facebook account. Gold Diggers of 1933 is a pre-Code Warner Bros. musical film directed by Mervyn LeRoy with songs by Harry Warren (music) and Al Dubin (lyrics), staged and choreographed by Busby Berkeley. into one of the most visually striking musicals ever produced in Hollywood. The screenplay is hilarious and often risque, tackling the American depression head-on. Some of these can even be seen on TCM. 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One impossible to hate package the son in a millionaire gold diggers of 1933 pre code that despises the theater, for an actress Ginger! Your Google account gets my highest recommendation choreographed and staged by the master Busby Berkeley screenplay is hilarious and risque...

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