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Charcoal-Burnished Vessel 1983 Magdalene Anyango N. Odundo (Kenyan, living in the United Kingdom, born 1950) Kenyan-born ceramic artist Magdalene Odundo is one of the foremost contemporary artists from Africa working today. … The beauty, refinement, and technical mastery of Odundo’s art allow her work to transcend stereotypes and boundaries. Her pieces are not made traditionally using a wheel, but are instead creating using a coiling technique. Odundo’s inclusive approach to the practice of her craft and interest in many clay traditions make her a well-received ceramic artist across the world. While her vessels resonate with ceramic traditions from Africa and other parts of the world, they also stand on an equal footing with other works of contemporary art, particularly those that challenge commonly held notions about functionality (see also 1997.63). Odundo attained the dark and slightly metallic color of this vessel through multiple firings rather than the application of glazes. Born in Nairobi, Kenya and trained as a graphic artist, Odundo studied in India and England, receiving a BA from St. Joseph’s College of Art and Design in Surrey and a MA from the Royal College of Art, in London. Although Magdalene Odundo’s vessels have no utilitarian or ritualistic function and are created with a process thousands of years old, they seem unreservedly contemporary. *FREE* shipping on qualifying offers. Magdalene Odundo Odundo used her experience with Kwali in Nigeria to develop her independent approach to ceramics, originally fostered as a student at Farnham School of Art. This comprehension forms the basis of the body … Unknown owner, London, by 2001; sold, Phillips Auctioneers, London, Contemporary Ceramics, Sale 31095, Sept. 25, 2001, lot 173, to the Art Institute. Her powerful, red and black clay vessel forms reveal keen understanding of the hybrid nature of … A professor of ceramics in Surrey, Odundo was appointed Officer of the Order of the British Empire in the Queen’s Birthday Honours List for Service to the Arts and was awarded the African Art Recognition award by the Detroit Art Institute. Sold. Each grouping sheds light on some aspect of Odundo’s thinking: in this case, the crossover between abstraction and sensuous figuration evident in her vessels, reminiscent, variously, of slim waists, arched necks and round bellies. Also from the JW Anderson fall 2021 collection: a ceramic vessel by Magdalene Odundo and a limited-edition blanket design by Shawanda Corbett. See more ideas about ceramic artists, ceramics, ceramic vessel. Ceramic Gestures: New Vessels by Magdalene Odundo Magdalene Odundo's vessels blend multiple associations and meanings in a manner that makes them simultaneously familiar and novel. Carol Thompson, the museum's curator of African art, elegantly displayed Odunduo's … Dame Magdalene Odundo is one of the most esteemed ceramic artists in the world. View our hours. Information about image downloads and licensing is available here. Jan 20, 2019 - Explore Jacquelyn Forrest's board "Magdalene Odundo" on Pinterest. Mar 15, 2015 - Explore Karl Mizen's board "Magdalene Anyango Odundo", followed by 341 people on Pinterest. A masterful artist, Magdalene Odundo understands both the power of an image to communicate an idea and the capacity of an object like a ceramic pot to convey information about culture. Robert T. Soppelsa Magdalene Odundo's striking black vessels are being displayed in a new exhibition at Yorkshire's Hepworth Wakefield, where her work will be placed in the context of a global tradition of sculpture. Exhibition Preview Saturday, July 31, 5-7 pm thru October 9, LongHouse Reserve133 Hands Creek RoadEast Hampton NY 11937. Born in Kenya in 1950 and currently living in the United Kingdom, Odundo creates works that rely on a unique combination of formal and surface treatments and are almost ethereal in their effect. Hand built … With simple curves and color variations her sculptural vessels convey the depths of the connection between humans, earth, clay and vessels. The Museum of the World brings an exciting assortment of objects from the archives of the British Museum to the web where you can explore them and their connections. Using traditional potting techniques, Odundo fires her work in wood chips. Royal Academy, London May 22 - September 19, 2021 The Fowler Museum began its engagement with the ceramic vessels by Dame Magdalene Anyango Namakhiva Odundo when it served as a venue for the 1995 traveling exhibition, Ceramic Gestures: New Vessels by Magdalene Odundo, organized by the University Art Museum at UC Santa Barbara, now known as the Art, Design & Architecture Museum (AD&A Museum). Featured image: Magdalene Odundo, Untitled, 1989, burnished and oxidized terracotta Using traditional potting techniques, Odundo fires her work in wood chips. The artist’s hollow vessels carry a catalogue of global histories, technical approaches and cultures: graphic design - which she first trained in - diasporic identities, British studio pottery, ceremonial vessels from Kenya and Nigeria and Ancient Greek and Roman techniques. Magdalene Odundo, Untitled (Vessel), 1997, red clay, 50.2 x 33 cm (The Metropolitan Museum of Art) The contemporary ceramic vessels of Kenyan-born artist Magdalene Odundo embody the diverse formal and functional sources that have inspired the artist. Magdalene Anyango Namakhiya Odundo DBE, OBE, MA {b. Kenya 1950} BA Hons Farnham MA Royal College of Art Emerita professor, University for the Creative Arts Chancellor for the University for the Creative Arts Lives and works in Farnham, Surrey, U.K. resume (pdf) Michael Armitage - Paradise Edict. Examples of her work are in many public collections including African Heritage, Nairobi, The Art Institute of Chicago and the British Museum, London By burnishing her hand-built coils, cover The ceramic artist Magdalene Odundo is firmly in the spotlight this year, as Magdalene Odundo: The Journey of Things opens at Hepworth Wakefield in February then travels to The Sainsbury Centre, Norwich, in the autumn. Her vessels are included in the permanent collections of prominent museums including the Art Institute of Chicago, Metropolitan Museum of Art, Brooklyn Museum, LA County Museum of Art, Victoria and Albert Museum, British Museum, and the Smithsonian. Magdalene Odundo, 'The Journey of Things', installation view, 2019. The museum is closed today. Magdalene Odundo, (left) Asymmetrical Betu II, 2010. Using traditional potting techniques, Odundo fires her work in wood chips. Magdalene Odundo: Ceramic Forms Although Magdalene Odundo’s vessels have no utilitarian or ritualistic function and are created with a process thousands of years old, they seem unreservedly contemporary. Born in Kenya in 1950, she moved to England in 1971 to train, initially, in graphic art, but later turned to clay. The Surrey Institute of Art & Design, University College, Farnham, UK. Best known for her hand-built ceramics, Kenyan-born British designer Magdalene Odundo originally trained as a graphic designer. The High Museum of Art's Universal and Sublime: The Vessels of Magdalene Odundo exhibition traced the contemporary Kenyan-born, British-based ceramicist's decades-long career through a collection of nineteen large clay vessels, eight sketchbook pages, three complete sketchbooks, and two sets of silk-screened china. At the Hepworth Wakefield, Magdalene Odundo has placed her burnished, broad-bellied, anthropomorphic vessels in diverse company. To help improve this record, please email . By burnishing her hand-built coils, covering them with slip, and burnishing them again, they oxidize during firing, creating a smoky, blackened surface, reminiscent of traditions and techniques used in ages past and reflective of African ceramic history. Odundo’s artworks are redolent of the human body in a way that reminds the viewer strongly of the inherent connections between the simple vessel form and the concept of the body as a vessel. (Right) Assymetrical Series, 2017. 2005 Magdalene Odundo: Ceramic Vessels, British Council, Nairobi, Kenya (March – July) 2004 Magdalene Odundo: Time and Again, Crafts Study Centre (UCA). She returned to Africa to study the hand-building and firing techniques of the indigenous women of Kenya and Nigeria, and applied them to her black ware vessels. See more ideas about ceramics, pottery, african pottery. “Coming into conversation with an artist of the caliber of Magdalene Odundo opens our students’ eyes to the ways that ceramic vessels can address political, social, and identity issues in contemporary life,” said Eleanor Moseman, Department of Art and Art History chair and associate professor of Art History. Magdalene Odundo Vessel , 1992. Magdalene Odundo is a ceramic artist of international renown. Ceramic Gestures: New Vessels by Magdalene Odundo [Berns, Marla] on Amazon.com. Kenyan-born ceramic artist Magdalene Odundo is one of the foremost contemporary artists from Africa working today. Brooklyn, New York City, United States Black narrow-necked, symmentrical vessel made in 1990 by Magdalene Anyango N. Odundo who was born in Nairobi, Kenya (Luo, b.1950). Chicago, Ill, Museum of Contemporary Art, Duro Olowu: Seeing Chicago, Feb. 29-Sept. 13, 2020. Ceramic Gestures: New Vessels by Magdalene Odundo Ceramic Gestures: New Vessels by Magdalene Odundo. Red clay, carbonized and multi-fired, 53 x 27 cm, signed under base. Object information is a work in progress and may be updated as new research findings emerge. Magdalene Odundo has spent her entire career making clay pots, a process she refers to as ‘magic.’ As a new exhibition opens in the UK, MutualArt looks closer at the significance of Odundo’s work.. Magdalene Odundo, Untitled, 1986© Magdalene Odundo Just visible beneath Magdalene Odundo’s preparatory sketch for an untitled 1994 ceramic piece is a faded drawing of a human nude. Using the ancient coiling method, she begins by pulling a cone of clay upward as its middle is hollowed out to form the body of the vessel. Odundo’s clay vessels blend multiple functional references that speak evocatively of past ceramic traditions yet appear as modern artistic pieces. Her exhibition ‘The Journey of Things’ – situating 50 of her ceramic sculptures from the 1970s to the present among ancient and … MAGDALENE ODUNDO CERAMIC VESSELS The first solo exhibition of Magdalene Odundo in Africa will take place in Kenya from March – July 2005, to coincide with the UK’s cultural festival ‘Africa 2005’. The work’s tilted and ringed neck, raised spine, and round belly connect it to other vessels in Odundo’s oeuvre that explore the female body. Magdalene Anyango N. Odundo, born 1950, Kenya Search this Medium: Ceramic, slip Dimensions: H x W x D: 35.2 x 24.0 x 24.0 cm (13 7/8 x 9 7/16 x 9 7/16 in.) Courtesy: the artist and the Hepworth Wakefield ATLANTA —Universal and Sublime: The Vessels of Magdalene Odundo, Kenyan-born British artist Magdalene Odundo’s latest exhibition at The High Museum of Art (June 24 through Oct. 15, 2017) showcases an extraordinary group of terracotta vessels and related works. Her iconic vessels interweave historical and contemporary making practices from different cultures; British studio pottery, ceremonial vessels from Kenya and Nigeria where Odundo studied traditional techniques, as well as wood carving from the Congo, ancient ceramics from Cyprus, Japan and Peru, modernist sculpture and Elizabethan costume. Biography. She has had extensive solo and group exhibits, served as faculty artist at Haystack in Maine and Artist in Residence at Huara Huara, Santiago, Chile. Many of the vessels Odundo creates are reminiscent of the human form, often following the curves of the spine, stomach, or hair. Magdalene Odundo: Ceramic Forms Although Magdalene Odundo’s vessels have no utilitarian or ritualistic function and are created with a process thousands of years old, they seem unreservedly contemporary. Magdalene Anyango N. Odundo (Kenyan, living in the United Kingdom, born 1950). Furthermore, the shape of expression of her vessels are symbolic of the female body; one of her most famous pieces is a black and ocher vessel with a curved base and elongated neck resembling the form of a pregnant woman. Here, Liese Van der Watt explores the trajectory of acclaimed Kenyan ceramicist Magdalena Odundo and her current exhibition at the Hepworth Wakefield in West Yorkshire. Board `` Magdalene Odundo ceramic Gestures: New vessels by Magdalene Odundo, ( left ) Asymmetrical Betu,! Kenyan-Born ceramic artist Magdalene Odundo is one of the connection magdalene odundo ceramic vessel humans,,... Is a ceramic artist Magdalene Odundo, 'The Journey of Things ', installation view, 2019 associations... In diverse company 2015 - Explore Karl Mizen 's board `` Magdalene Odundo... Object information is a work in wood chips red clay, carbonized and multi-fired 53. Art & Design, University College, Farnham, UK about image downloads and licensing is available here Odundo Berns... 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